Japanese Noh Mask Exhibition "Jiiji's Noh Mask"
This exhibition invites you to experience the world of Noh masks through the perspective of Rina Miyata, the granddaughter of Shūji Watanabe, affectionately called Jiiji meaning “grandfather”. It is an exploration of the allure of Noh masks, the deep connection between Jiiji and his craft, and the many threads of relationships that arise from them. Noh is often described as an art of “the beauty of emptiness.” Likewise, the subtle “emptiness” held within each mask stirs the imagination of the viewer, evoking a deep emotional resonance. We warmly invite you to take your time and enjoy the exhibition.
Time & Location
Novenber 28th, 29th, & 30th. Venue: Imakumano-kannonji
From December 5th to December 19th, Venue: Gallery Rin
About the event
Japanese Noh Mask Exhibition
"Jiiji's Noh Mask"
Hosted by Rina Miyata
Scenographer: Gallery Rin
This exhibition invites you to experience the world of Noh masks through the perspective of Rina Miyata, the granddaughter of Shūji Watanabe, affectionately called Jiiji meaning “grandfather”.
It is an exploration of the allure of Noh masks, the deep connection between Jiiji and his craft, and the many threads of relationships that arise from them. Noh, which originated in the Muromachi period, 14th century, has been passed down for more than six centuries, preserving its unique and highly refined style. Among its essential elements is Noh masks. Each mask is carved from a traditional pattern: for instance, the Hannya mask follows the Hannya pattern. All mask makers use the same pattern and faithfully reproduce it according to established conventions. And yet, it is said that even when carved from the same pattern, no two masks are ever quite the same. The mask maker devote themselves to recreating with utmost fidelity the inherited pattern. Still, the subtlest variations—how the wood is carved, how the pigments are layered, how the strands of hair are drawn—can give rise to differences in expression. Within these nuances, one may glimpse the individuality of the maker. To notice such delicate distinctions, and to allow the imagination to expand through them, is surely one of the profound ways to appreciate Noh masks.
Noh is often described as an art of “the beauty of emptiness.” Likewise, the subtle “emptiness” held within each mask stirs the imagination of the viewer, evoking a deep emotional resonance. We warmly invite you to take your time and enjoy the exhibition.
Biography of Shūji Watanabe
1936
Born in Shigenobu Town, Onsen District, Ehime Prefecture (present-day Tōon City).
1996
After retiring from a career in banking, began studying Noh mask carving under Mr. Mutō Watanabe.
2005
Established the Matsuyama Noh Mask Association following the passing of Mr. Mutō Watanabe.
2019
Received the Cultural Association President’s Award at the Art Exhibition of the Matsuyama Citizens’ Cultural Festival.
2020
Exhibited at the Meckel Hall of Sparkasse Bank in Freiburg, Germany.
[ Venue : Imakumano-kannonji, Kyoto]
Date：November 28th, 29th, and 30th, 2025
Opening Hours：
November 28th & 29th 10:00-17:00
November 30th 10:00-16:00
※Last admission is 30 minutes before closing
Venue：Imakumano-kannonji
32 Sennyuji Yamanouchi-cho,
Higashiyama-ku, Kyoto City, 605-0977
Access：
5min. from Kyoto Station by car
15min. on foot from the closest train station Tofukuji Station
[ Venue: Gallery Rin]
Date：From December 5th to December 19th, 2025
※Closed on weekends and holidays
Opening Hours：12:00-16:00
Venue：Gallery Rin
47-1, Goshonouchi Nakamachi
Shichijo, Shimogyo-ku,
Kyoto City, 600-8862
Access：
13min. from Kyoto Station by car
8min. on foot from the closest train station, Nishioji station
[ Inquiries ]
Gallery Rin, Kyoto
Autumn Leaves at Imakumano-kannonji, Kyoto
